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authorBenoit Fouet <benoit.fouet@free.fr>2008-10-13 15:09:04 +0000
committerBenoit Fouet <benoit.fouet@free.fr>2008-10-13 15:09:04 +0000
commitc27c66c3f011959ab34995b239c73b4c533e9047 (patch)
tree0c4b02f3ac5208db9e31282ed46a9f4f579a4f76 /doc/ffmpeg-doc.texi
parent5c4e97282f52d4045bd4498805f508ca50b313dd (diff)
Add a space between frequencies and their units.
Originally committed as revision 15613 to svn://svn.ffmpeg.org/ffmpeg/trunk
Diffstat (limited to 'doc/ffmpeg-doc.texi')
-rw-r--r--doc/ffmpeg-doc.texi4
1 files changed, 2 insertions, 2 deletions
diff --git a/doc/ffmpeg-doc.texi b/doc/ffmpeg-doc.texi
index d1f537578c..6f354c5b00 100644
--- a/doc/ffmpeg-doc.texi
+++ b/doc/ffmpeg-doc.texi
@@ -111,7 +111,7 @@ to MPEG file a.mpg.
ffmpeg -i /tmp/a.wav -ar 22050 /tmp/a.mp2
@end example
-Converts a.wav to MPEG audio at 22050Hz sample rate.
+Converts a.wav to MPEG audio at 22050 Hz sample rate.
* You can encode to several formats at the same time and define a
mapping from input stream to output streams:
@@ -928,7 +928,7 @@ motion estimation completely (you have only I-frames, which means it
is about as good as JPEG compression).
@item To have very low audio bitrates, reduce the sampling frequency
-(down to 22050Hz for MPEG audio, 22050 or 11025 for AC-3).
+(down to 22050 Hz for MPEG audio, 22050 or 11025 for AC-3).
@item To have a constant quality (but a variable bitrate), use the option
'-qscale n' when 'n' is between 1 (excellent quality) and 31 (worst