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--- a/doc/bitstream_filters.texi
+++ b/doc/bitstream_filters.texi
@@ -1,7 +1,7 @@
@chapter Bitstream Filters
@c man begin BITSTREAM FILTERS
-When you configure your Libav build, all the supported bitstream
+When you configure your FFmpeg build, all the supported bitstream
filters are enabled by default. You can list all available ones using
the configure option @code{--list-bsfs}.
@@ -10,16 +10,69 @@ You can disable all the bitstream filters using the configure option
the option @code{--enable-bsf=BSF}, or you can disable a particular
bitstream filter using the option @code{--disable-bsf=BSF}.
-The option @code{-bsfs} of the av* tools will display the list of
+The option @code{-bsfs} of the ff* tools will display the list of
all the supported bitstream filters included in your build.
-Below is a description of the currently available bitstream filters.
+The ff* tools have a -bsf option applied per stream, taking a
+comma-separated list of filters, whose parameters follow the filter
+name after a '='.
+
+@example
+ffmpeg -i INPUT -c:v copy -bsf:v filter1[=opt1=str1:opt2=str2][,filter2] OUTPUT
+@end example
+
+Below is a description of the currently available bitstream filters,
+with their parameters, if any.
@section aac_adtstoasc
+Convert MPEG-2/4 AAC ADTS to an MPEG-4 Audio Specific Configuration
+bitstream.
+
+This filter creates an MPEG-4 AudioSpecificConfig from an MPEG-2/4
+ADTS header and removes the ADTS header.
+
+This filter is required for example when copying an AAC stream from a
+raw ADTS AAC or an MPEG-TS container to MP4A-LATM, to an FLV file, or
+to MOV/MP4 files and related formats such as 3GP or M4A. Please note
+that it is auto-inserted for MP4A-LATM and MOV/MP4 and related formats.
+
@section chomp
-@section dump_extradata
+Remove zero padding at the end of a packet.
+
+@section dca_core
+
+Extract the core from a DCA/DTS stream, dropping extensions such as
+DTS-HD.
+
+@section dump_extra
+
+Add extradata to the beginning of the filtered packets.
+
+The additional argument specifies which packets should be filtered.
+It accepts the values:
+@table @samp
+@item a
+add extradata to all key packets, but only if @var{local_header} is
+set in the @option{flags2} codec context field
+
+@item k
+add extradata to all key packets
+
+@item e
+add extradata to all packets
+@end table
+
+If not specified it is assumed @samp{k}.
+
+For example the following @command{ffmpeg} command forces a global
+header (thus disabling individual packet headers) in the H.264 packets
+generated by the @code{libx264} encoder, but corrects them by adding
+the header stored in extradata to the key packets:
+@example
+ffmpeg -i INPUT -map 0 -flags:v +global_header -c:v libx264 -bsf:v dump_extra out.ts
+@end example
@section extract_extradata
@@ -28,7 +81,7 @@ Extract the in-band extradata.
Certain codecs allow the long-term headers (e.g. MPEG-2 sequence headers,
or H.264/HEVC (VPS/)SPS/PPS) to be transmitted either "in-band" (i.e. as a part
of the bitstream containing the coded frames) or "out of band" (e.g. on the
-container level). This latter form is called "extradata" in Libav terminology.
+container level). This latter form is called "extradata" in FFmpeg terminology.
This bitstream filter detects the in-band headers and makes them available as
extradata.
@@ -39,9 +92,183 @@ When this option is enabled, the long-term headers are removed from the
bitstream after extraction.
@end table
+@section h264_metadata
+
+Modify metadata embedded in an H.264 stream.
+
+@table @option
+@item aud
+Insert or remove AUD NAL units in all access units of the stream.
+
+@table @samp
+@item insert
+@item remove
+@end table
+
+@item sample_aspect_ratio
+Set the sample aspect ratio of the stream in the VUI parameters.
+
+@item video_format
+@item video_full_range_flag
+Set the video format in the stream (see H.264 section E.2.1 and
+table E-2).
+
+@item colour_primaries
+@item transfer_characteristics
+@item matrix_coefficients
+Set the colour description in the stream (see H.264 section E.2.1
+and tables E-3, E-4 and E-5).
+
+@item chroma_sample_loc_type
+Set the chroma sample location in the stream (see H.264 section
+E.2.1 and figure E-1).
+
+@item tick_rate
+Set the tick rate (num_units_in_tick / time_scale) in the VUI
+parameters. This is the smallest time unit representable in the
+stream, and in many cases represents the field rate of the stream
+(double the frame rate).
+@item fixed_frame_rate_flag
+Set whether the stream has fixed framerate - typically this indicates
+that the framerate is exactly half the tick rate, but the exact
+meaning is dependent on interlacing and the picture structure (see
+H.264 section E.2.1 and table E-6).
+
+@item crop_left
+@item crop_right
+@item crop_top
+@item crop_bottom
+Set the frame cropping offsets in the SPS. These values will replace
+the current ones if the stream is already cropped.
+
+These fields are set in pixels. Note that some sizes may not be
+representable if the chroma is subsampled or the stream is interlaced
+(see H.264 section 7.4.2.1.1).
+
+@item sei_user_data
+Insert a string as SEI unregistered user data. The argument must
+be of the form @emph{UUID+string}, where the UUID is as hex digits
+possibly separated by hyphens, and the string can be anything.
+
+For example, @samp{086f3693-b7b3-4f2c-9653-21492feee5b8+hello} will
+insert the string ``hello'' associated with the given UUID.
+
+@end table
+
@section h264_mp4toannexb
-@section imx_dump_header
+Convert an H.264 bitstream from length prefixed mode to start code
+prefixed mode (as defined in the Annex B of the ITU-T H.264
+specification).
+
+This is required by some streaming formats, typically the MPEG-2
+transport stream format (muxer @code{mpegts}).
+
+For example to remux an MP4 file containing an H.264 stream to mpegts
+format with @command{ffmpeg}, you can use the command:
+
+@example
+ffmpeg -i INPUT.mp4 -codec copy -bsf:v h264_mp4toannexb OUTPUT.ts
+@end example
+
+Please note that this filter is auto-inserted for MPEG-TS (muxer
+@code{mpegts}) and raw H.264 (muxer @code{h264}) output formats.
+
+@section h264_redundant_pps
+
+This applies a specific fixup to some Blu-ray streams which contain
+redundant PPSs modifying irrelevant parameters of the stream which
+confuse other transformations which require correct extradata.
+
+A new single global PPS is created, and all of the redundant PPSs
+within the stream are removed.
+
+@section hevc_metadata
+
+Modify metadata embedded in an HEVC stream.
+
+@table @option
+@item aud
+Insert or remove AUD NAL units in all access units of the stream.
+
+@table @samp
+@item insert
+@item remove
+@end table
+
+@item sample_aspect_ratio
+Set the sample aspect ratio in the stream in the VUI parameters.
+
+@item video_format
+@item video_full_range_flag
+Set the video format in the stream (see H.265 section E.3.1 and
+table E.2).
+
+@item colour_primaries
+@item transfer_characteristics
+@item matrix_coefficients
+Set the colour description in the stream (see H.265 section E.3.1
+and tables E.3, E.4 and E.5).
+
+@item chroma_sample_loc_type
+Set the chroma sample location in the stream (see H.265 section
+E.3.1 and figure E.1).
+
+@item tick_rate
+Set the tick rate in the VPS and VUI parameters (num_units_in_tick /
+time_scale). Combined with @option{num_ticks_poc_diff_one}, this can
+set a constant framerate in the stream. Note that it is likely to be
+overridden by container parameters when the stream is in a container.
+
+@item num_ticks_poc_diff_one
+Set poc_proportional_to_timing_flag in VPS and VUI and use this value
+to set num_ticks_poc_diff_one_minus1 (see H.265 sections 7.4.3.1 and
+E.3.1). Ignored if @option{tick_rate} is not also set.
+
+@item crop_left
+@item crop_right
+@item crop_top
+@item crop_bottom
+Set the conformance window cropping offsets in the SPS. These values
+will replace the current ones if the stream is already cropped.
+
+These fields are set in pixels. Note that some sizes may not be
+representable if the chroma is subsampled (H.265 section 7.4.3.2.1).
+
+@end table
+
+@section hevc_mp4toannexb
+
+Convert an HEVC/H.265 bitstream from length prefixed mode to start code
+prefixed mode (as defined in the Annex B of the ITU-T H.265
+specification).
+
+This is required by some streaming formats, typically the MPEG-2
+transport stream format (muxer @code{mpegts}).
+
+For example to remux an MP4 file containing an HEVC stream to mpegts
+format with @command{ffmpeg}, you can use the command:
+
+@example
+ffmpeg -i INPUT.mp4 -codec copy -bsf:v hevc_mp4toannexb OUTPUT.ts
+@end example
+
+Please note that this filter is auto-inserted for MPEG-TS (muxer
+@code{mpegts}) and raw HEVC/H.265 (muxer @code{h265} or
+@code{hevc}) output formats.
+
+@section imxdump
+
+Modifies the bitstream to fit in MOV and to be usable by the Final Cut
+Pro decoder. This filter only applies to the mpeg2video codec, and is
+likely not needed for Final Cut Pro 7 and newer with the appropriate
+@option{-tag:v}.
+
+For example, to remux 30 MB/sec NTSC IMX to MOV:
+
+@example
+ffmpeg -i input.mxf -c copy -bsf:v imxdump -tag:v mx3n output.mov
+@end example
@section mjpeg2jpeg
@@ -52,7 +279,7 @@ JPEG image. The individual frames can be extracted without loss,
e.g. by
@example
-avconv -i ../some_mjpeg.avi -c:v copy frames_%d.jpg
+ffmpeg -i ../some_mjpeg.avi -c:v copy frames_%d.jpg
@end example
Unfortunately, these chunks are incomplete JPEG images, because
@@ -75,29 +302,154 @@ stream (carrying the AVI1 header ID and lacking a DHT segment) to
produce fully qualified JPEG images.
@example
-avconv -i mjpeg-movie.avi -c:v copy -bsf:v mjpeg2jpeg frame_%d.jpg
+ffmpeg -i mjpeg-movie.avi -c:v copy -bsf:v mjpeg2jpeg frame_%d.jpg
exiftran -i -9 frame*.jpg
-avconv -i frame_%d.jpg -c:v copy rotated.avi
+ffmpeg -i frame_%d.jpg -c:v copy rotated.avi
@end example
-@section mjpega_dump_header
+@section mjpegadump
+
+Add an MJPEG A header to the bitstream, to enable decoding by
+Quicktime.
+
+@anchor{mov2textsub}
+@section mov2textsub
+
+Extract a representable text file from MOV subtitles, stripping the
+metadata header from each subtitle packet.
+
+See also the @ref{text2movsub} filter.
+
+@section mp3decomp
+
+Decompress non-standard compressed MP3 audio headers.
+
+@section mpeg2_metadata
+
+Modify metadata embedded in an MPEG-2 stream.
+
+@table @option
+@item display_aspect_ratio
+Set the display aspect ratio in the stream.
+
+The following fixed values are supported:
+@table @option
+@item 4/3
+@item 16/9
+@item 221/100
+@end table
+Any other value will result in square pixels being signalled instead
+(see H.262 section 6.3.3 and table 6-3).
+
+@item frame_rate
+Set the frame rate in the stream. This is constructed from a table
+of known values combined with a small multiplier and divisor - if
+the supplied value is not exactly representable, the nearest
+representable value will be used instead (see H.262 section 6.3.3
+and table 6-4).
+
+@item video_format
+Set the video format in the stream (see H.262 section 6.3.6 and
+table 6-6).
+
+@item colour_primaries
+@item transfer_characteristics
+@item matrix_coefficients
+Set the colour description in the stream (see H.262 section 6.3.6
+and tables 6-7, 6-8 and 6-9).
+
+@end table
+
+@section mpeg4_unpack_bframes
-@section movsub
+Unpack DivX-style packed B-frames.
-@section mp3_header_compress
+DivX-style packed B-frames are not valid MPEG-4 and were only a
+workaround for the broken Video for Windows subsystem.
+They use more space, can cause minor AV sync issues, require more
+CPU power to decode (unless the player has some decoded picture queue
+to compensate the 2,0,2,0 frame per packet style) and cause
+trouble if copied into a standard container like mp4 or mpeg-ps/ts,
+because MPEG-4 decoders may not be able to decode them, since they are
+not valid MPEG-4.
-@section mp3_header_decompress
+For example to fix an AVI file containing an MPEG-4 stream with
+DivX-style packed B-frames using @command{ffmpeg}, you can use the command:
+
+@example
+ffmpeg -i INPUT.avi -codec copy -bsf:v mpeg4_unpack_bframes OUTPUT.avi
+@end example
@section noise
+Damages the contents of packets or simply drops them without damaging the
+container. Can be used for fuzzing or testing error resilience/concealment.
+
+Parameters:
+@table @option
+@item amount
+A numeral string, whose value is related to how often output bytes will
+be modified. Therefore, values below or equal to 0 are forbidden, and
+the lower the more frequent bytes will be modified, with 1 meaning
+every byte is modified.
+@item dropamount
+A numeral string, whose value is related to how often packets will be dropped.
+Therefore, values below or equal to 0 are forbidden, and the lower the more
+frequent packets will be dropped, with 1 meaning every packet is dropped.
+@end table
+
+The following example applies the modification to every byte but does not drop
+any packets.
+@example
+ffmpeg -i INPUT -c copy -bsf noise[=1] output.mkv
+@end example
+
@section null
This bitstream filter passes the packets through unchanged.
-@section remove_extradata
+@section remove_extra
+
+Remove extradata from packets.
+
+It accepts the following parameter:
+@table @option
+@item freq
+Set which frame types to remove extradata from.
+
+@table @samp
+@item k
+Remove extradata from non-keyframes only.
+
+@item keyframe
+Remove extradata from keyframes only.
+
+@item e, all
+Remove extradata from all frames.
+
+@end table
+@end table
+
+@anchor{text2movsub}
+@section text2movsub
+
+Convert text subtitles to MOV subtitles (as used by the @code{mov_text}
+codec) with metadata headers.
+
+See also the @ref{mov2textsub} filter.
+
+@section trace_headers
+
+Log trace output containing all syntax elements in the coded stream
+headers (everything above the level of individual coded blocks).
+This can be useful for debugging low-level stream issues.
+
+Supports H.264, H.265 and MPEG-2.
@section vp9_superframe
-Combine VP9 frames into superframes.
+Merge VP9 invisible (alt-ref) frames back into VP9 superframes. This
+fixes merging of split/segmented VP9 streams where the alt-ref frame
+was split from its visible counterpart.
@section vp9_superframe_split